We have so many actresses who aspire to great things in the drama, not one who can interpret as you have interpreted it, the delicate finesse, the finer lights and shades of true comedy. “I believe you are quite right so far as regards the present, at any rate,” someone remarked, from the depths of an easy chair. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. I saw the metal box a hundred times, but I never thought of opening it until the day I fled.
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