Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its altitudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe. That was odd: when young people were joyous, they had to express it physically. This business of love is the supreme affair in life, it is the woman’s one event and crisis that makes up for all her other restrictions, and I cower—as we all cower—with a blushing and paralyzed mind until it overtakes me!.
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