They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. Earles said, slowly, keeping his eyes fixed upon her, “forty at the ‘Unusual,’ two turns, encores voluntary, six for matinées. She heard the bamboo curtain rattle slightly. Hers were less noble, yet stately.
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