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Many other wards,—especially on the Master Debtor's side,—have been necessarily omitted in the foregoing hasty enumeration. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment. His perception of her personal beauty deepened and quickened with each encounter.
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