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‘Mademoiselle,’ he had greeted her, entering the little private parlour where, Martha being at prayer in their room, she sat alone, reading over and over the letter Mother Abbess had given her and revolving plans in her head. He turned, expecting to see his wife. On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded.
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